The Evolution of the Milicier Film Genre in Communist Romania

Authors

  • Ion Indolean Babeş-Bolyai University, Cluj-Napoca, Romania

Keywords:

Cultural politics, film, Nicolae Ceaușescu, communism, espionage, industry, censorship, propaganda

Abstract

In order to observe the manner in which the image of the Romanian militiaman is perpetuated throughout the movies produced during Nicolae  Ceauşescu’s regime (1965-1989) we will analyze the most important detective films of that period. This will allow us to recognize a series of characterological  and professional attributes present in the protagonists of these narratives which claimed to have come from reality. All of these heroes  are shrewd, tenacious and well-intentioned because the official propaganda wanted to deliver a certain beautified image of the Romanian agent, about  whom these films suggested having the mental and physical capabilities to be successful against any kind of villain and therefore being able to protect his  country with a great sense of duty and commitment.

Author Biography

Ion Indolean, Babeş-Bolyai University, Cluj-Napoca, Romania

Ion Indolean has BA and MA in Film Studies and is a Ph.D. candidate with a thesis about film on  contemporary subjects produced in Communist Romania. Writes for various cultural Romanian  newspapers and collaborated with Astra Sibiu, TIFF and Comedy Cluj Film Festivals. Directed the feature  film Discordia that won the debut prize at TIFF in 2016 and was nominated at GOPO Awards in 2017.

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Published

2022-01-28

How to Cite

Indolean, I. (2022). The Evolution of the Milicier Film Genre in Communist Romania. Studia Universitatis Babeș-Bolyai - Dramatica, 62(2), 161–171. Retrieved from https://dramatica.ro/index.php/j/article/view/208