To curate a part of one’s soul. Transplanting a performance in three (radically) different spaces

Raluca Lupan

To curate a part of one’s soul. Transplanting a performance in three (radically) different spaces

Authors

Raluca Lupan Babeș-Bolyai University, Cluj-Napoca, Romania

Keywords:

curating, interaction, independent theatre, space, distance, audience

Abstract

The curating process of a performance like 4.48 Psychosis by Sarah Kane constitutes a reflection of a round, back and forward act of doubt and belief. A suitable or a malicious managerial decision in chancing a given data in the performance can determine the path and the course of the show. Every act or management action can alter the channels of communicating with the audience and its perception and reception of the performance.

Author Biography

Raluca Lupan, Babeș-Bolyai University, Cluj-Napoca, Romania

Raluca Lupan graduated from the Babeș Bolyai University’s Faculty of Theatre and Television with a BA in Acting. Between 2012 and 2017 she worked in independent theatre as a member of the Create.Act.Enjoy Theatre and Film Company. Presently, she is a PhD student at the Faculty of Theatre and Television, participating, for research purposes, in numerous workshops and international festivals, while also working as a teaching assistant at the same institution. She is interested in theatre-dance, performance and contact improvisation.

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Published

2022-01-28

How to Cite

Lupan, R. (2022). To curate a part of one’s soul. Transplanting a performance in three (radically) different spaces. Studia Universitatis Babeș-Bolyai - Dramatica, 62(2), 173–186. Retrieved from https://dramatica.ro/index.php/j/article/view/209