Short Thoughts at Length on The Actor’s Paradox

Authors

  • András Hatházi Babeș-Bolyai University, Cluj-Napoca, Romania

Keywords:

actor's paradox, given circumstances, what if, let's say..., playing the reality, emotions, repetitions, the two bits of the mind

Abstract

Why the actor’s paradox? I would not even bother with this question if I didn’t see so many acting students desperate to do well what they are given as “course material” and so much outdated, dusty, outmoded, mannered acting on stages in their home countries. And even the latter would not interest me – since they are largely kept alive by public taste and public satisfaction (of very dubious value for me) – if they were not based on the same criteria on which I base my ideas about acting. So, under the pretext of the apparent contradiction in Diderot’s words, I will examine where I might have started in a different direction. At which fork in the motorway did I drive wrongly onto the motorway and go against the traffic? Because it is obvious to me: I am in the minority. Perhaps the paradox is not in the acting, but in the way we think about it.

Author Biography

András Hatházi, Babeș-Bolyai University, Cluj-Napoca, Romania

ANDRÁS HATHÁZI, professor, actor, director, writer, play-writer. His research field is improvisation and the theory of acting. Currently teacher (prof. univ. dr. habil) at the Theater and Film Faculty of the Babeş-Bolyai University (Hungarian Theater Department) from Cluj-Napoca, Romania. Between 2011-2017 he was a lecturer (workshop leader) at the Dyoniz International Festival organized by the Art Academy from Osijek (Croatia). He played more than 100 roles in theatre, cinema and TV plays, he directed several performances and films, wrote 3 books and has translated one, won more than 50 (national and international) prizes for his activity.

Downloads

Published

2024-07-27

How to Cite

Hatházi, A. (2024). Short Thoughts at Length on The Actor’s Paradox. Studia Universitatis Babeș-Bolyai - Dramatica, 69(1), 99–109. Retrieved from https://dramatica.ro/index.php/j/article/view/305