Vol. 61 No. 1 (2016): DADA > 100: Life / Art / Museum. DADAISM AND PERFORMING ARTS
The two issues of Studia Dramatica 2016 are focused on topics such as: What resulted from Dada in the performing arts, in cinema and in the visual arts? Legacy, filiations and transformation; Standardisations of the avant-garde spirit: avant-garde origins of the infra- or post-dramatic performance; Artistic discourse hybridisation: cinematographicity, cinefication, cinematographic and kinetic theatricalisation, theatrical objectification, automation, mechanisation…; Performing arts, cinema and visual arts in the Dada and avant-garde poetry and manifestoes (from poetic staging to cine-poetry); The radical staging of the self – the extreme being, the contemporary “approximate man”; Reality testing – games of fiction and staging, fictionalisation and theatricalization; Wit, farce, challenge: the Dada spirit and beyond; Underlying critique of society by the rule of the performance or the spectacular intrusion (the happenings of the futurists, the Dada soirees etc.); The Dadaist sound sphere: staging the sound, the voice, the word, the human being as musical instrument.